Le visage du visuel de la prochaine \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou ( FESPACO) a \u00e9t\u00e9 d\u00e9voil\u00e9e au public ce 3 d\u00e9cembre 2024. Devant un parterre de journalistes, de cin\u00e9astes, d’artistes…l’\u0153uvre -entre a \u00e9t\u00e9 officialis\u00e9e.
\nL’Afrique adopte le visage d’une femme aux contours bien contemporains: FESPACO et AES.
\nMais que traduit l’\u0153uvre selon son concepteur:<<J’esp\u00e8re que vous aimez! C’est un plaisir immense d’avoir travaill\u00e9 sur ce projet, pour \u00ab\u00a0notre\u00a0\u00bb Fespaco, la grande f\u00eate du cin\u00e9ma africain. Voici un petit texte explicatif pour d\u00e9crypter ce visuel>>.<\/p>\n
Et de poursuivre: <<Une femme regarde droit dans l’objectif de la cam\u00e9ra, son regard \u00e0 la fois serein et d\u00e9termin\u00e9, fier et d\u00e9nu\u00e9 de complexe. Inconnue, nommons-la \u00ab Je suis Afrique \u00bb, m\u00e8re de l’humanit\u00e9. Dessin\u00e9e pour ne se figer sur aucun visage particulier, elle incarne la diversit\u00e9 du continent.
\nLe graphiste rench\u00e9rit \u00ab Je suis Afrique \u00bb, c’est tout le monde et personne \u00e0 la fois. L’Afrique, c’est nous, en un pluriel infini.<\/p>\n
La figure de \u00ab Je suis Afrique \u00bb est une opportunit\u00e9 pour mettre en avant le r\u00f4le central de la femme dans le monde et surtout dans les soci\u00e9t\u00e9s africaines. On peut \u00e9voquer les femmes cin\u00e9astes, productrices et actrices qui contribuent \u00e0 faire rayonner les cin\u00e9mas d\u2019Afrique.<\/p>\n
\u00ab Je suis Afrique \u00bb semble se cacher derri\u00e8re les lettres du mot FESPACO, tout en nous observant. Son visage, partiellement dissimul\u00e9, invite notre imagination \u00e0 combler les vides, \u00e0 construire et \u00e0 d\u00e9construire une image compl\u00e8te. Le cin\u00e9ma, c’est un peu cela : un jeu entre le visible et l’invisible. Un film nous d\u00e9voile une partie d’une histoire, nous laissant imaginer le reste, tel une fen\u00eatre ouverte sur d’infinies r\u00e9alit\u00e9s.<\/p>\n
Son visage est un kal\u00e9idoscope de motifs tiss\u00e9s, un hommage aux richesses culturelles du continent. Pour cette 29\u00e8me \u00e9dition, le FESPACO c\u00e9l\u00e8bre ces identit\u00e9s plurielles qui s’expriment \u00e0 travers le cin\u00e9ma, mais aussi \u00e0 travers la musique, la danse, le th\u00e9\u00e2tre et la mode. Chaque tissu raconte une histoire, chaque motif nous transporte dans une r\u00e9gion sp\u00e9cifique : le Bogolan malien, le Kent\u00e9 ghan\u00e9en, le Faso Danfani, le Koko Dunda burkinab\u00e8 ou les boucles d\u2019oreilles \u00e0 motif masa\u00ef ou zoulou, t\u00e9moignent de la vitalit\u00e9 et de la diversit\u00e9 de nos cultures. Chaque tissu africain, chaque motif, chaque couleur porte en lui une symbolique profonde, li\u00e9e \u00e0 l’histoire des peuples>>, explique Gideon Vink.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Le visage du visuel de la prochaine \u00e9dition du Festival Panafricain du Cin\u00e9ma et de la t\u00e9l\u00e9vision de Ouagadougou ( FESPACO) a \u00e9t\u00e9 d\u00e9voil\u00e9e au public ce 3 d\u00e9cembre 2024. Devant un parterre de journalistes, de cin\u00e9astes, d’artistes…l’\u0153uvre -entre a \u00e9t\u00e9 officialis\u00e9e. L’Afrique adopte le visage d’une femme aux contours bien contemporains: FESPACO et AES. […]<\/p>\n","protected":false},"author":1,"featured_media":1734,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[14],"tags":[121],"class_list":["post-1733","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-economie","tag-fespaco-2025"],"_links":{"self":[{"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/posts\/1733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/comments?post=1733"}],"version-history":[{"count":2,"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/posts\/1733\/revisions"}],"predecessor-version":[{"id":1736,"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/posts\/1733\/revisions\/1736"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/media\/1734"}],"wp:attachment":[{"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/media?parent=1733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/categories?post=1733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lesoleil.bf\/index.php\/wp-json\/wp\/v2\/tags?post=1733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}